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Running time 210 minutes Country India Language Hindi Budget ₹400 million Box office ₹1.36 billion Kabhi Khushi Kabhie Gham. (English: Sometimes there's Happiness, Sometimes there's Sorrow), also known as K3G, is a 2001 Indian film written and directed by and produced. The film stars, and in leading roles, with appearing in an extended special appearance. The music was composed by, and, with lyrics penned by and Anil Pandey. The background score was composed by Babloo Chakravarty. The film tells the story of an Indian family, which faces troubles and misunderstandings over their adopted son's marriage to a girl belonging to a lower than them. Development of the film began in 1998, soon after the release of Johar's debut film (1998).

Began on 16 October 2000 in and continued in. Kabhi Khushi Kabhie Gham. Was promoted with the tag-line 'It's All About Loving Your Parents'. Initially scheduled to release during the festivities of 2001, the film eventually released in India, and on 14 December 2001. In 2003, it became the first Indian film to be given a theatrical release in.

Upon release, the film met with mixed reviews from film critics and received polarising reactions to Karan Johar's 'larger-than-life' directorial style, with some seeing it as an 'oddly hollow film'. Made on a budget of ₹400 million (US$5.6 million), Kabhi Khushi Kabhie Gham. Emerged as a major commercial success, both domestically and internationally, with a lifetime gross of ₹1.36 billion ( $29 million) at the worldwide box office. Outside India, the film was the ever, until its record was broken by Johar's next directorial, (2006). Kabhi Khushi Kabhie Gham. Won several awards at popular award ceremonies the following year, including five. Contents.

Plot Yashvardhan 'Yash' Raichand is a rich business tycoon, living in with his wife Nandini and two sons Rahul and Rohan. Rahul is the elder son and was adopted by Yash and Nandini at birth. This is known to everyone in the Raichand household, except Rohan. The Raichand household is highly patriarchal and follows traditions. While grown up, Rahul comes across the vivacious Anjali Sharma , and they eventually fall in love, but their love is forbidden, because Anjali is from a low-income background. Yash and Nandini soon send Rohan (Kavish Majmudar) to a boarding school, which all the males in their family have attended.

Yash announces his desire for Rahul to marry Naina , as he believes that parents have the right to choose their offspring's spouse, but Naina learns that Rahul is in love with Anjali, and encourages him to pursue her. When Yash comes to know of this, he is enraged, and Rahul promises not to marry Anjali, as he wants to please his father. En route to tell her of his promise, he discovers that her father has died, and decides to marry her despite his father's hostility. Yash learns of the marriage and disowns Rahul, whereupon Nandini and Rahul share a tearful goodbye. Nandini sends Sayeeda (Rahul and Rohan's nanny) to watch over him, so that he does not feel separated from a mother's love. Rahul visits Rohan in the Boarding School and begs of Rohan never to ask where he went or why he left, and asks that he take care of Nandini.

Ten years later, Rohan returns home from boarding school and accidentally overhears a conversation from his grandmothers ( and ) concerning Rahul's adoption and the reason why Rahul left home, whereupon Rohan vows to reunite the family. He learns that Rahul, Anjali, and her younger sister Pooja (with whom he shared a playful relationship during his childhood) moved to, and tells his parents that he wishes to pursue further studies in London. Yash is skeptical at first, but once Rohan emphasizes that he is following the family traditions, his parents agree to let him go. In London, Rahul and Anjali now have their own son, Krish (Jibraan Khan).

Pooja , now a popular fashion-obsessed diva, is a student at, where Rohan enrolls. He and Pooja meet again and he tells her that he has come to London to bring his brother and sister-in-law back home. Pooja tells Rahul that Rohan is her friend's brother who currently has nowhere to stay. After some persuasion, Rahul agrees to let Rohan stay as Rohan uses the name 'Yash' to hide his real identity. Right before the family attends Krish's school function, Sayeeda and Anjali find out his real identity, though they promise to keep quiet. At Krish's school function, Krish leads his class in singing (Indian national anthem), and later recites advice which Rohan had given him. Rahul, having given Rohan this advice ten years ago, now realizes that Rohan is his brother.

Also at this point, Rohan and Pooja fall in love. Rohan begs Rahul to come home, but Rahul refuses. Pooja convinces Rohan to invite his parents to London; Rahul and Nandini are overjoyed to see one another, but Rahul still refuses to talk to his father.

When Yash goes to a store, Anjali stumbles by and Rohan reveals that they have been living in London the whole time. Yash soon learns that his mother had died and that her last wish was for Yash, Rahul, and Rohan to light her funeral pyre together. Therefore, the entire family attends the funeral, and Nandini tells Yash that she thought he was wrong for disowning Rahul. Rohan and Pooja convince Rahul to talk to Yash, who apologizes and allows Rahul and Anjali into the house. Rohan and Pooja are married, and the family holds a belated celebration of Rahul and Anjali's wedding. Cast.

as Yashvardhan 'Yash' Raichand, a based business tycoon. Fiercely dominating, he insists on controlling the life of his wife and sons. Amitabh Bachchan was Karan's first choice for the portrayal of Yash Raichand. Karan added, 'As I wrote the film, I realised that Yashvardhan Raichand is the backbone of the film and I could only see one actor playing the role — Amitabh Bachchan.' Bachchan, on his part, agreed to do the film without a script narration. Karan mentioned that he was initially scared to direct a star of the stature of Bachchan, but the latter 'soon became an actor instead of a superstar'.

as Nandini Raichand, Yash's wife. She shares a close bond with her sons but remains in the shadow of her husband. According to Karan Johar, Jaya Bachchan was the 'obvious' choice for the character of Nandini, and added that her 'acting prowess and stature' were the other reasons for him preferring to cast her. The film also marked the return of Amitabh and Jaya Bachchan together on screen after a gap of 18 years. Of her character, she said that Nandini was an extension of her own self.

She elaborated, 'My personal feelings towards Shah Rukh are similar to what I was supposed to portray in the film. There's something about him that makes me want to mother him.'

She added that she modelled her character on Karan's mother, Hiroo Johar, who 'is a very emotional and sentimental person.' .

as Rahul Raichand, Yash and Nandini's adopted son. Rahul feels indebted to his parents and tries to fulfill all their wishes. However, he falls in love with Anjali and invites the wrath of Yash. When Karan offered the role to Shah Rukh, he immediately agreed to do it and accommodated his dates, despite having several other commitments. Khan described the character of Rahul by saying, 'I love the vulnerability and the honesty in his eyes. He has the appeal of a boy next door. Besides, his intensity and ability to convey emotions without words is amazing.'

. as Anjali Sharma, Rahul's love-interest and later, wife. She is a fun-loving woman living in the area of Delhi. Belonging to a lower socio-economic group than the Raichand family, she is not accepted by Yash as his daughter-in-law. Karan was initially hesitant to cast Kajol in the film, as he felt that she would refuse the offer due to her recent marriage.

Kajol, however, was moved to tears during the script narration and agreed to do the film. In an interview to, Kajol said, 'One tiny fact that Karan forgot to mention during his narration was just how much Punjabi my character spoke in the film.

I nearly died when I saw the lines of dialogue on the first day of shooting.' However, she learnt the right pronunciation and diction with the help of Yash Johar and the crew members. as Rohan Raichand, Yash and Nandini's biological son. He wants his elder brother Rahul to return home. Karan signed Roshan to play the character of Rohan after watching a rough cut of the latter's debut film, (2000). Roshan described his character as a 'buffer' in a film that primarily focused on Amitabh Bachchan and Shah Rukh Khan.

Kavish Majmudar as the younger Rohan Raichand. as Pooja 'Poo' Sharma, Anjali's younger sister.

She is a sophisticated girl, who helps Rohan in his plan to reunite Rahul with his parents. After spotting Kapoor at a party organised by, Karan decided to cast her immediately for the role of the glamorous diva, Poo. Kapoor stated that in her opinion, Kabhi Khushi Kabhie Gham. Was primarily Kajol's film, and that her own character was a supporting one. In order to prepare for her role, she worked hard on her dancing skills, as she did not want audiences to know that she could not dance well. as the younger Pooja Sharma.

as Naina Kapoor, a girl who loves Rahul and wants to marry him, and Yashvardhan approves of her. Following the success of Karan's previous film, (1998), which starred Khan, Kajol and Mukerji, he wanted her presence in this film too.

He thus cast Mukerji in a guest appearance. Initially, Karan wanted her presence in the film to be a surprise, but an accidental slip by during the promotional activities led to her discovery. as Sayeeda / Daijan (DJ), Rahul and Rohan's nanny. as Rukhsaar, Sayeeda's daughter and Anjali's best friend. as Bauji Sharma, Anjali and Pooja's father. as Rohan's friend (special appearance) and were cast as Yash and Nandini's mothers, respectively.

The film also featured as Haldiram (a shopkeeper in Chandni Chowk), as Haldiram's wife, Jibraan Khan as Krish Raichand (Rahul and Anjali's son), as Mr. Kapoor (Yash's friend and Naina's father). Ramona Sunavala, Jeroo Writer and feature as Poo's friends Sonya, Tanya and Robbie, respectively. Additionally, Ashutosh Singh features as Ashfaque, Rukshaar's husband.

Shilpa Mehta, and were cast as Ashfaque's mother, grandmother and nephew, respectively. Played the in-law to Rukhsaar. And Johnny Lever's real-life son Jesse Lever had small parts. Shah Rukh Khan's real-life son Aryan Khan also appeared in the film as the young Rahul Raichand. Appeared in an uncredited cameo but the scene was not included in the final cut. Production Development “ At a certain age, boys are very demonstrative about their love towards their fathers. They hug and kiss them.

But after that, they withdraw, become less demonstrative. My film is about relationships, about sons going up to their fathers and saying they love them. ” — After the success of Karan's debut film, (1998), he began work on a story dealing with the concept of 'generations'.

The idea initially revolved around two daughters-in-law. However, on the advice of filmmaker, who thought that the male characters would be too weak, Karan decided to tweak the story-line to make it the story of two brothers. The inspiration behind Kabhi Khushi Kabhie Gham. Came from 's (1976). On being inspired by the classic, Karan quoted, 'What appealed to me was the fact that the love story stretched out across generations.

It began with youth and went on as the people grew older. You could say that Kabhi Kabhie is the starting point for my new film, that I am inspired by it.

But the film, I am sure, will be very different. It will look different, feel different.' Similarly, Karan added an extra 'e' to the second Kabhi in the title of his film, due to numerological reasons. In an interview with, Karan dispelled comparisons with Kuch Kuch Hota Hai and said that while his debut film was 'frothy and bubble-gummish', this one was 'more classy and sophisticated'. He added that there would be 'plenty of drama' in this film too, but handled more maturely.

Before could begin, Karan and the contracted costume designers (, and ) shopped in several locations of, London, and New Delhi to get the right look for each of the cast members. Additionally, Karan had only one expectation from the contracted actors; to 'look good and do their job'.

He did not organise any rehearsals for them, except for a scene involving a climatic encounter between Amitabh Bachchan and Roshan. Additional production people hired included choreographer, production designer and cinematographer Kiran Deohans. Filming The first schedule of the film began in Mumbai on 16 October 2000, with the picturisation of the song 'Bole Chudiyan' involving Roshan, Kapoor, Khan and Kajol. Amitabh and Jaya Bachchan joined the schedule on 20 October. Due to the immense stress caused by the presence of these actors, Karan fainted on the sets. However, he continued directing the rest of the song while lying in bed. For the first half of Kabhi Khushi Kabhie Gham., the production design team led by Sharmishtha Roy, recreated in a studio at of Mumbai.

In order to lend authenticity, the team took several pictures of the original area and also shopped in the various alleys of Chandni Chowk. Roy later won the Filmfare Award for Best Art Direction for her work in the film. The inside of a palatial mansion was developed from scratch in the same studio to double as the home of the Raichand family. In order to lend authenticity to the house of the multi-multimillionaires, several expensive paintings were hung from the walls. A total of 18–19 elaborate sets were constructed by Roy, as Karan wanted the look of the film to be 'larger-than-life'.

(in the picture) was featured as the mansion of the Raichand family in the film. The second half of the film was shot in the city of London. Karan chose to set the film there due to his fondness for the city.

He added, 'I could have based my plot in or anywhere else. But London is kind of close to my heart. I like to weave my films around London.'

Shooting locations include the, in, and the banks of. The outdoor scenes of the Raichand family mansion were shot at. The crew faced enormous difficulties while filming an emotional scene between Jaya Bachchan and Khan at the Bluewater Complex, as a massive crowd had gathered there to watch them at work. The situation, eventually, got worse and the complex officials asked them to wrap up the shoot within two hours.

British journalist, Fuad Omar, wrote extensively about the filming of the film in the UK, covering much of the shoot in a series of online articles and for regional press. Many of these were reprinted in an unedited format in his book, Bollywood: An Insider's Guide.

Another song sequence ('Suraj Hua Maddham') involving Khan and Kajol was shot with the backdrop of the in the city of in. Due to the lighting conditions, the crew could shoot only between 7 and 9 am in the morning. As a result, the song took several days to film.

In addition, Kajol suffered from a minor injury while filming for the song, as she had experienced a bad fall. Language Hindi The music of the film was composed by,. The lyrics were provided by, except for 'Suraj Hua Maddham' which was penned by Anil Pandey. A total of 11 tracks are present in the album, which was released by on 16 October 2001.

Explaining the album, Karan Johar said, 'I wanted music that had all kinds of tunes — pop, romantic, – but one sound. It had to be larger than life.' He added that Jatin-Lalit came up with three 'haunting melodies', while Shandilya and Shrivastava came up with the pop and bhangra songs, respectively. A legal suit was filed against Johar for using the song ' in the film without obtaining prior permission. Upon release, the soundtrack of Kabhi Khushi Kabhie Gham.

Emerged as a major success by selling 2.5 million units within 30 days. It became the best-selling album of the year in India, with 3.5 million sales. Writing for Rediff, Sukanya Varma praised most of the compositions, while being critical of the song 'Say Shava Shava' due to the 'overdose of Punjabi emotions'. She summed up by saying, 'The music of K3G has a presence. Hate it or love it, you certainly won't ignore it.' Planet Bollywood gave it 8 of 10 stars, calling 'Suraj Hua Maddham' by the best song, and the best reason to buy the album.

Karan Johar said, 'The music composers did an excellent job but appreciating the songs without appreciating is hollow. I fought with the producers to give Sonu a chance and today he's made the songs immortal.' In 2002, Sony released another album titled Klub K3G, featuring remixes by Indian electronic music producers Akshai Sarin, Harshdeep Sidhu, Prempal Hans and others.

Kabhi Khushi Kabhie Gham. Album: Track listing No. Title Lyrics Music Singer(s) Length 1. 'Kabhi Khushi Kabhie Gham' Sameer 7:55 2.

'Bole Chudiyan' Sameer Jatin Lalit, 6:50 3. 'You Are My Soniya' Sameer Alka Yagnik, Sonu Nigam 5:45 4. 'Suraj Hua Maddham' Anil Pandey Sandesh Shandilya Alka Yagnik, Sonu Nigam 7:08 5. 'Say Shava Shava' Sameer Alka Yagnik, Udit Narayan, Aadesh Shrivastava, 6:50 6. 'Yeh Ladka Hai Allah' Sameer Jatin Lalit Alka Yagnik, Udit Narayan 5:28 7. 'Kabhi Khushi Kabhie Gham — Sad (Part 1)' Sameer Jatin Lalit Sonu Nigam 1:53 8. 'Deewana Hai Dekho' Sameer Sandesh Shandilya Alka Yagnik, Sonu Nigam, 5:46 9.

'Kabhi Khushi Kabhie Gham — Sad (Part 2)' Sameer Jatin Lalit Lata Mangeshkar 1:53 10. 'Soul of K3G' Sandesh Shandilya 2:18 11. ' Sandesh Shandilya, 4:15 Total length: 56:01 Release and reception Initially scheduled for a theatrical release during the celebrations of 2001, Kabhi Khushi Kabhie Gham. Released a month later on 14 December. Due to the long duration of the film, theatres screened three shows daily, instead of four. Additionally, due to a massive rush in advance bookings, several theatres increased their ticket prices.

The use of ' by during the film was met with criticism from a certain section of the audiences, and politicians of the, for being 'out-of-context' and 'insulting the national pride'. Subsequently, a writ was issued against Dharma Productions in the by a petitioner based in. However, the court did not entertain the complainant's petition. Critical reception India. Among the cast members, Kajol was appreciated for her performance.

A review carried by The Hindu noted that she 'steals the thunder from under very high noses'. In India, Kabhi Khushi Kabhie Gham. Met with polarised reactions from film critics. While certain critics praised the visual richness and the performances of the cast, certain others were negative about the lengthy run time and criticised the script strength and inconsistencies.

Of The Times of India applauded the film and reviewed, ' K3G is the complete commercial banquet delivered with fabulous finesse by Karan Johar. So, go indulge yourself. Cry your heart out and surprisingly, you'll feel life's finally alive and kicking in Mumbai's dream world.' Of gave the film 4.5 out of 5 stars.

He praised the emotional sequences, as well as the choreography, production design, costumes, and cinematography. He added that Karan Johar was the real star, for creating many memorable sequences. Rakesh Budhu of Planet Bollywood gave the film 8 out of 10 stars, saying 'Dharma Productions has kept its promise in giving us a lovable film to remember in coming times.' He pointed out several flaws in the script, but added that the positive aspects of the film managed to outweigh the negative ones. He quoted, ' K3G is one heck of an entertainer and was worth the wait'. In the film review section of his book Bollywood: An Insider's Guide, Fuad Omar showered overwhelming praise on the film and called it a 'masterpiece from the first frame to the last'.

In summary he said, 'Overall Kabhi Khushi Kabhie Gham. Is without a doubt the most enthralling, entertaining, emotional and complete vision and definition of Hindi cinema I have ever seen. It is simply the perfect Hindi film.' Contrary to the positive reviews, Anjum N., writing for, said that despite an extraordinary cast and a big budget, 'Karan Johar disappoints.' He praised Amitabh and Jaya Bachchan's performance and noted Hrithik Roshan for holding his own against the veteran actors.

However, in summary he called the film 'a bad remix of and Kuch Kuch Hota Hai'. Writing for, Ziya Salam praised Kajol's performance and Karan's ability to 'keep the viewer occupied'. She commented, 'Watch Kabhi Khushi Kabhie Gham. Not because of the hype which preceded its release but because in these meagre times not many have come up with better fare. The film at least partially redeems the hope surrounding it. Again, just like its name. Some joy, some disappointment.'

Namarata Joshi of gave a mixed review and said that while the film 'makes you laugh and cry alternately', the shenanigans were nevertheless 'fake and affected' and 'monochromatic despite the profusion of colours'. Overseas The reviews were mostly mixed outside of India too, with several critics praising the technical production details of the film, while being somewhat less enthusiastic about the story line.

Shamaila Khan of gave the film 9 out of 10 stars and praised the performances of Khan, Kajol and Kapoor. She summed up by saying, '( K3G is) a well made film, with some magical moments (hilarious and weepy) and possibly the world's best looking family!' Derek Elley of said that it 'is a highly enjoyable, often dazzlingly staged vehicle dragged down by a sluggish final half-hour'. He also praised the cinematography, and the picturisation of the song, 'Say Shava Shava'.

Creekmur, of the University of Iowa, said that there were many ignored or illogical plot points and inconsistencies between the moral messages meant to be portrayed and the manner in which they came off on screen. Overall, he called the film a letdown. Box Office Upon release, Kabhi Khushi Kabhie Gham. Broke all opening records. The film opened to around ₹70 million nett collections in its first weekend in India, with the first week total at around ₹140 million. The domestic opening week collections were 70% higher than the previous record and never before had opening records been eclipsed by such large margins. It also set new records for the second and third weeks, by collecting ₹105 million and ₹80 million respectively.

The film went on to become the second highest grosser of 2001 domestically, netting ₹550 million in India, and earning 'Blockbuster' status. The film was released in around 125 prints in the overseas markets, grossing a total of $8.9 million at the end of its theatrical run. It performed very well in the United Kingdom, with a gross of $689,000 in its opening weekend.

It thus debuted at the third position at the British box-office. The total earnings of the film reached over $3.2 million in the UK. The film also had the biggest opening ever for a Bollywood film in North America, with a gross of $1.1 million in 73 screens. However, according to a report by, the numbers were so high that the official reporting agency did not believe it, and asked for evidence that could not be furnished until after the reporting deadline had passed.

If reported on time, the film would have opened at the number 10 spot in the North American box-office. However, according to figures from, the film debuted at the 32nd place at the American box office during the week of 4 January 2002. It eventually gathered a total of $2.9 million there. Additionally, in 2003, the film became the first from India to be given a theatrical release in Germany. Kabhi Khushi Kabhie Gham.

Earned a worldwide gross of ₹1.36 billion ( US$29 million). It was the highest-grossing film of the year in the overseas market, surpassing, which was the top grosser of the year. Its record of being the highest grosser in the overseas was broken only by Johar's next directorial, (2006). When adjusted for inflation, the film is still among the highest grossers worldwide. Accolades Kabhi Khushi Kabhie Gham. Received fifteen nominations at the, ultimately winning five awards. In an interview with Filmfare, Karan Johar said that he was not dejected to have not won many awards at the ceremony, as he felt that was 'a classic' and deserved to win.

The film won several awards at the (IIFA), and some at the and ceremonies, among others. Among the cast members, Kajol and Jaya Bachchan won several awards in the Best Actress and Best Supporting Actress category, respectively. At the 13th annual Valenciennes International Film Festival, the film won five major awards, including three Best Film awards and Best Actress for Kajol. Kabhi Khushi Kabhie Gham.

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Kabhi Khushi Kabhie Gham Download

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Bibliography. Eckstein, Lars (2008), Multi-Ethnic Britain 2000+: New Perspectives in Literature, Film and the Arts, Rodopi,. Hirji, Faiza (2010), Dreaming in Canadian: South Asian Youth, Bollywood, and Belonging, UBC Press,. Mazumdar, Ranjani (2007), Bombay Cinema: An Archive of the City, University of Minnesota Press,.

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Omar, Fuad (2006), Bollywood: An Insider's Guide, Lulu.com,. Oonk, Gijsbert (2007), Global Indian Diasporas: Exploring Trajectories of Migration and Theory, Amsterdam University Press,. Punathambekar, Aswin (2005). International Journal of Cultural Studies. SAGE Publications. 8 (2): 151–173. Stringer, Julian (2003), Movie Blockbusters, Routledge,.

Further reading. Iyengar, Niranjan (2002). The Making of Kabhi Khushi Kabhie Gham. Dharma Productions (in association with) India Book House, India. External links.

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His intention is to hold a capital 'trial' online. As the authorities recognize what's happening, it becomes apparent that the online public is going to act as judge and jury. The true story of Forrest Tucker, from his audacious escape from San Quentin at the age of 70 to an unprecedented string of heists that confounded authorities and enchanted the public.

Wrapped up in the pursuit are a detective, who becomes captivated with Forrest’s commitment to his craft, and a woman, who loves him in spite of his chosen profession. When Eddie Brock acquires the powers of a symbiote, he will have to release his alter-ego 'Venom' to save his life. A woman and a pair of children are blindfolded and make their way through a dystopian setting. A nightclub bouncer in his fifties who's taken punches, literally and figuratively, struggles to raise his 8-year-old daughter. The former bodyguard finds himself forced to collaborate with the police. His mission: infiltrate the organization of a dangerous Flemish gang leader.

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An unidentified man posts a live feed on social media showing that he has kidnapped two strangers and intends to kill one before the day is out. His intention is to hold a capital 'trial' online. As the authorities recognize what's happening, it becomes apparent that the online public is going to act as judge and jury. After he and his first wife separate, journalist David Sheff struggles to help their teenage son Nic, who goes from experimenting with drugs to becoming devastatingly addicted to methamphetamine. Three lighthouse keepers on the remote Flannan Isles find a hidden trunk of gold, leading to their mysterious disappearance. When an overachieving college senior makes a wrong turn, her road trip becomes a life-changing fight for survival in rural Kentucky. Watch Movies Online: Featured The true story of Forrest Tucker, from his audacious escape from San Quentin at the age of 70 to an unprecedented string of heists that confounded authorities and enchanted the public.

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Wrapped up in the pursuit are a detective, who becomes captivated with Forrest’s commitment to his craft, and a woman, who loves him in spite of his chosen profession. Six years after the events of 'Wreck-It Ralph,' Ralph and Vanellope, now friends, discover a wi-fi router in their arcade, leading them into a new adventure. Laurie Strode comes to her final confrontation with Michael Myers, the masked figure who has haunted her since she narrowly escaped his killing spree on Halloween night four decades ago. The colorfully named gold prospector Hermann Kermit Warm is being pursued across 1,000 miles of 1850s Oregon desert to San Francisco by the notorious assassins Eli and Charlie Sisters.

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