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By Christina Katsiadakis When it comes to finding love, look up. Synopsis In a world where we are becoming our phones or they are becoming us, Eugene is a lot like many of us, always buried in his cell phone. Day in, day out it is the same old routine of Eugene and his phone, no real human interaction or communication, until one day when his battery runs out, he notices the beauty on his commute–a girl. Unfortunately, she does not notice him because she is consumed in her cell phone. Eugene fixes himself up, even does obvious things to make her notice him, but she does not. When he finally gives in and gets sucked back into his phone, the girl’s battery finally dies. We hope she will finally recognize him.
And she does look up long enough to take an interest in a guy, but it’s not Eugene. This is such a relevant topic. It showcases the world we live in and what’s becoming of us. Maybe we are becoming machines. We are surely living in machines i.e., cell phones these days. I think this script is contest material. Not a big enough concept for feature but it works well as a short IMO.
Production Qualities. – Medium Budget (hardest thing would be the bus) – Two main characters (Eugene and Girl) with several extras to fill the bus. – Two locations (house, bus) The Real. After reading this, I am going to try to go a day without my cell phone tomorrow. It really made me think about what we are becoming.
The fact that we may miss a chance at love. Or life Hits home. A sad script in a way, but reality. About the writer: Christina Katsiadakis was born in Athens, Greece and she moved to Montreal in 2012. She holds a BA in History from the Athens University and an MA in Film from Goldsmiths College.
She has been working in film and TV since 2004 as a production coordinator and production manager. In the last few years she has started pursuing her personal creative projects. She has written and directed two short films, Marching Muse and Football Days in Hockey Town and is currently working on her first feature film Fumus and Umbra. Christina Katsiadakis can be reached at xkatsiadakis (a) gmail.com Read (3 page Romcom in pdf format) This screenplay may not be used or reproduced for any purpose including educational purposes without the expressed written permission of the author. Find more About the reviewer: is an optioned and produced screenwriter who also writes on assignment. She can be reached at: girlbytheshore (a) hotmail. By Anna Nazzari A lesbian relationship is destroyed by sleep-drawing and supernatural possession.
Synopsis Move over cat lady because we have a chicken lady in this one! We are introduced to Addilyn in a chicken coop, singing to her little chicken. From the beginning, we get a feeling that she weirdly fits right in here.
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Then enters conflict as her lesbian lover, Cora, mentions she’s found a good home for their chickens. Cora even jokes about ‘cooking’ a roast chicken. None of this sits good with the chicken lady. Not only a great vehicle for conflict, but I believe this little scene is a catalyst that heats up Addilyn’s strange sleep patterns of parasomnia: drawing and even scratching chicken drawings onto the walls of the bedroom! Realizing Addilyn’s symptoms are growing out of control, Cora buys a sketchbook then decides it’s time to call in the shrink, but it can’t be soon enough, because the last night in a manic chicken rage, Addilyn smothers her lesbian lover with a pillow to a choir of clucking chaos. When the clock sounds in the morning, Addilyn rolls Cora over to find a chicken sketch scratched into her face.
As Cora lies there dead, a live chicken appears at the end of the bed. Addilyn laughs maniacally. I love the concept.
I’ve always been fascinated with night terrors. Sleep disturbances. It has been done in the movies but not GREAT yet so there is room for one of these!
I think it’s marketable, could be festival quality and a great calling card for a writer or director. The Addilyn character would also give an actress a super chance to showcase their talent. Production Qualities. – Low budget makes this attractive – Two characters (Cora and Addilyn) – Two locations (chicken coop & house) – People say never write in pets, but I think chickens would be easy!
Found myself drawing crazy chickens after reading this hmmm. About the writer: Anna Nazzari can be reached at A.Nazzari (a) curtin.edu.au Read (7 page short horror in pdf format) This screenplay may not be used or reproduced for any purpose including educational purposes without the expressed written permission of the author. Find more About the reviewer: is an optioned and produced screenwriter who also writes on assignment. She can be reached at: girlbytheshore (a) hotmail. Thanks Dean for the heads up on this – undated, unspecified draft script by David Magee (Music by Marc Shaiman; Lyrics by Marc Shaiman & Scott Wittman; Screen Story by David Magee & Rob Marshall & John DeLuca; Based on the “Mary Poppins” stories by PL Travers) – hosted by: – in pdf format In Depression-era London, a now-grown Jane and Michael Banks, along with Michael’s three children, are visited by the enigmatic Mary Poppins following a personal loss.
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Through her unique magical skills, and with the aid of her friend Jack, she helps the family rediscover the joy and wonder missing in their lives. Information courtesy of.